Alexander

Marev

Tenor
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Reviews

Remarkably assured, with a well-projected voice and a seductive timbre; a very young singer who already seems ready for more prominent roles.
Flavio (Norma) / La Monnaie, Brussels / Première Loge DEC 2025
Alexander Marev reveals himself from the very first lines before the proconsul’s cavatina. His voice is solid, well-placed, youthful, expressive, resonant, and valiant.
Norma, Toulon Opera, Forum Opera June 30, 2025
For his part, the Bulgarian-Polish tenor Alexander Marev, in the role of Flavio, a Roman centurion and friend of Pollione, shines despite a brief appearance, thanks to a powerful, well-controlled voice with a somewhat dark timbre, at times even more resonant than that of his fellow tenor.
Norma, Toulon Opera, Olyrix June 29, 2025
Alexander Marev, habitué de la maison, donne une authentique leçon de style par le galbe de sa ligne de chant et la clarté enivrante de son timbre. / Alexander Marev, a regular in the house, gives a genuine lesson in style with the curve of his vocal line and the intoxicating clarity of his timbre.
resmusica.com / Flamboyante et poétique Rusalka à l’Opéra Royal de Liège February 1, 2024

BIOGRAPHY

Polish-Bulgarian tenor Alexander Marev is emerging as one of the promising young tenors of his generation, with recent and upcoming appearances at La Monnaie / De Munt, Teatro Regio di Torino, Teatr Wielki – Polish National Opera, Opéra Royal de Wallonie-Liège and the Tiroler Festspiele Erl. His repertoire ranges from the Italian and French lyric repertoire to Wagner, Strauss and 20th-century opera.

2026/27 SEASON

Alexander Marev opens the 2026/27 season as Melot in Wagner’s Tristan und Isolde in Paris with the Orchestre Philharmonique de Radio France under Jaap van Zweden, following performances of the work in Montpellier in summer 2026.

He subsequently returns to the Teatr Wielki – Polish National Opera in Warsaw for Richard Strauss’s Salome. In April 2027, he makes a further return to the Teatro Regio di Torino as the Third Jew in Salome, in Kornél Mundruczó’s production conducted by Axel Kober.

Marev concludes the season with his debut at the Tiroler Festspiele Erl as the Chevalier in Schreker’s Der ferne Klang, in a new production by Calixto Bieito.

RECENT HIGHLIGHTS

Recent highlights include Flavio in Bellini’s Norma at La Monnaie / De Munt in Brussels and at the Opéra de Toulon, where his performance was praised for its assurance, projection and distinctive timbre, as well as appearances at the Opéra Royal de Wallonie-Liège and his debut at the Teatro Regio di Torino as Marcellus in Thomas’s Hamlet.

Marev has developed a close relationship with La Monnaie, where he was previously a member of the MM Academy and has subsequently returned in productions including Norma, Turandot, Henry VIII and Rigoletto. At the Opéra Royal de Wallonie-Liège, his appearances have included Melot in Tristan und Isolde, the Hunter in Rusalka, Dr. Cajus in Falstaff and roles in Adriana Lecouvreur and Alzira.

A former student of José van Dam at the Queen Elisabeth Music Chapel, Marev also studied at the Royal Conservatory of Brussels and the Elsner Music School in Warsaw.

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