Paul

Gay

Bass
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Reviews

...Paul Gay as a commanding Oedipus, excels...
Los Angeles Times, Jul 23, 2025
On ne saurait trop se féliciter que ce soit un chanteur français qui assure le rôle-titre. Paul Gay, de sa haute stature et d’une voix à la fois puissante, musicale, sans faiblesse et d’une grande expressivité, impose un personnage torturé, dont l’évolution psychologique suit parfaitement celle des évènements. Très à l’écoute de ses partenaires, il est la cheville ouvrière de tout le spectacle
Forum Opera, Jul 18, 2025
Paul Gay läuft in seiner Marathonpartie zu Hochform auf. Der französische Bass-Bariton braucht keine protzenden Töne, um die ergreifende Vielschichtigkeit des Œdipe sängerdarstellerisch greifbar zu machen. Zwischen Aufbegehren und Resignation lotet er scheinbar ganz einfach und natürlich alle Schattierungen und Zwischentöne des wahren, abgründigen Menschseins aus.
Concerti.de, Jul 18, 2025
Der französische Bassbariton Paul Gay in der Titelrolle war stimmlich überzeugend und szenisch eine imposante Erscheinung.
BR-klassik.de, Jul 18, 2025
Paul Gay's Rocco wraps the vocal ensemble in a deep, mellow instrument that perfectly suits the role of the good-natured and passive prison guard. His singing flows with a soft resonance, which subtly infuses his more theatrical tirades. He uses his vibrato as an expressive accessory, ensuring a smooth transition between sung and spoken voice.
olyrix.com - Rocco (Fidelio), Bordeaux Opera, May 18, 2025
Le Rocco de Paul Gay enrobe le plateau vocal d’un instrument profond et moelleux qui sied parfaitement à ce rôle de gardien de prison, débonnaire et passif. Le chant s’écoule dans une douce résonance, qui s’infiltre dans ses tirades à tonalité théâtrale. Il se sert de son vibrato comme d’un accessoire expressif, qui assure le souple passage entre voix chantée et parlée.
olyrix.com - Rocco (Fidelio), Bordeaux Opera, May 18, 2025

BIOGRAPHY

French bass-baritone Paul Gay, a Chevalier de l’Ordre des Arts et des Lettres and Grammy Award winner, is internationally recognized for his commanding interpretations of leading roles in the French operatic repertoire.

His core repertoire includes Golaud (Pelléas et Mélisande), a role he has performed at the Paris Opera, La Monnaie in Brussels, Oper Frankfurt, the Norwegian National Opera in Oslo, the Shanghai Grand Theatre, Teatro Regio di Torino, and the Opéra de Lyon. Another of his signature roles is Méphistophélès (Faust), which he has sung at the Paris Opera, Maggio Musicale Fiorentino, Cologne Opera, Monte-Carlo, and the Bordeaux Opera.

He has also been acclaimed for his portrayal of Saint François (Saint François d’Assise) at the Bayerische Staatsoper in Munich under the baton of Kent Nagano, where he has also appeared in Der Zwerg, I Capuleti e i Montecchi, and L’Enfant et les Sortilèges. More recently, he added the highly demanding title role of Enescu’s Œdipe to his repertoire, performing it in London and Bucharest under Vladimir Jurowski.

Paul Gay is equally at home in the Verdi repertoire, with roles such as Philippe II (in both the French and Italian versions), Sparafucile, Walter, and Ramfis among his credits.

He has worked with some of the world’s leading conductors, including Ivan Fischer, Seiji Ozawa, Michel Plasson, Yannick Nézet-Séguin, Semyon Bychkov, Philippe Jordan, Alain Altinoglu, Vladimir Jurowski, William Christie, and Emmanuelle Haïm. His collaborations with distinguished stage directors include Willy Decker, Luc Bondy, Peter Stein, Richard Jones, Claus Guth, Laurent Pelly, Krzysztof Warlikowski, Tobias Kratzer, Barrie Kosky, and Robert Carsen.

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